“You feel like you know Mozart?” Eli asked. “Like, Mozart Mozart? Volfgahng Amadeus? That guy? The guy who made child stardom seem like a good idea when it definitely, definitely was not? The dead guy. The dead guy who you’ve never met one time in your life. That Mozart.”
Eli zipped his jacket and eyed the sheeting rain, lit to orange in the glow of streetlights. “It’s like you’re the responsible straight man in the zany romantic comedy of your own life, dude!”
Telford looked away, his gaze fixed on nothing. “Do you ever wonder,” he began, “whether the story you tell yourself about your life and your choices is real?”
Rodney McKay hates the implementation of solutions that require destruction of any kind. It is, Zelenka thinks, a surprisingly poetic weakness in a physicist.
Jackson sat on a woven blanket, in the midst of a sea of tiny flames. He looked up at Rush and his eyes were the blue of desert sky arced over picked-clean bones.
“Are you going to look at that?” Vala glanced at the legal-pad filled with math. “Or just stand in your doorway like an artistically disheveled Ambassador of Men’s Dress Shirts?”
“Hey,” Sheppard says, warm and slow, like death isn’t seconds away. “Close your eyes, touch the floor, and ask the fields to stop, maybe.” He gives Rush the smile that’ll never come when he poses for pictures.
Young’s ability to ignore the (admittedly gratuitous) academic barbed-wire masquerading as Nick Rush’s current personality was (endearingly) impressive.